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Tuesday, 26 May 2015

Voices behind ‘3 Bahadur’

10:47 By Lollywood Online No comments

KARACHI: 
If acting isn’t a piece of cake, then voiceovers are certainly not a cakewalk. Imagine this. Your body is tied up and you have to project the required emotions just with your voice. That’s how many artists describe the art of doing voiceovers. As the country’s first animated feature film 3 Bahadur gains recognition across Pakistan, The Express Tribune talks to artists who breathed life into the characters of Deenu, Mangu, Chapta, Pateeli and Baba Balaam.
Veteran actor Behroze Sabzwari is no stranger to the art of voiceover, as he previously lent his voice to Dirtoo’s spy Ghunsunna in Commander Safeguard. According to him, “a lot of hard work and effort goes into” this form of acting, which is harder than acting in person.
He says a major reason why dubbing for an animated-adventure film is more strenuous because of the on-screen characters’ facial expressions. “Animated characters are different from real-life ones. So, you have to adapt to that a little bit,” says Sabzwari, who is the voice behindchowkidar Deenu in the movie.
Contrarily, stage and television actor Khaled Ahmed, the voice of the older version of Mangu, holds that both acting and doing voiceover have their own set of challenges. “In my opinion, it [voiceover] is difficult but not more difficult than [acting], as you can’t use your body gestures to communicate the required emotions,” he says. Ahmed, who teaches voice-related courses at the National Academy of Performing Arts (Napa), states that voiceover artists are trained enough to ease into the character after seeing it. They get an idea of what sort of voice would complement the character and adapt accordingly.
 In the wake of the release of 3 Bahadur, chances are others will follow suit. Instead of being overly optimistic about the future of the animated film industry in the country, the voice artists choose not to look ahead in the future for now. They feel they need to iron out a few kinks, such as writing scripts for animated series, for the industry to progress to its full potential. “What is promising and heartening for me is that some entertainment for children is being done. As for the future, we would have to see how this movie pans out, but I’m hopeful that we would have more animators from our country, who would make such movies,” says Ahmed.

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